GOLD AND SILVER

Iacopo, interior decorator

Through the ancient technique of the gold leaf, the participants will create a photo frame in gold and silver leaves (imitation). We'll use modern materials and tools that allow the creation of the objects to be quick. The frame that will be created will become a very personal furniture. You can collect it at the end of the workshop. All the materials that we'll use are solvents free. During the workshop we'll visit my atelier and I'll show you other working techniques that I use, such as resins and mosaics.

SESTO FIORENTINO, Fi

BUCCHERO, THE BLACK TERRACOTTA

Gaetano, artisan of bucchero

The day will begin with a brief presentation of our atelier and an introduction to the main working techniques of pottery. In particular we'll focus on the Bucchero. At this point we'll be ready to put into practice that described, but first we'll have to familiarize with the tools. We'll then wear an apron and we'll clean the object with sandpaper and steel wool until we removed all the scratches of turning. Once we completed these operations, we'll polish the surface rubbing it with boxwood sticks. After that we'll engrave it by choosing a decorative technique between freehand drawing and pouncing. To complete the product we just have to fill the etchings with gold and platinum by using small brushes. We'll eat local products without cutlery, just with our hands. You'll then try the "crescia" which is a particular non-rised bread with the round shape that is cooked on carbon. It can be combined with cheeses, cured meats, cooked vegetables or sausages. After having signed the piece, we'll have to wait it to be dried out, and only then we can fire it. This will be done at a later stage in the open countryside. It is so since the process requires the use of coal with the resulting formation of black powder, moreover it has to be done when you have many pieces to be put within the furnace. Finished the firing, that consists in reaching about 900° C. in ten hours, and the consecutive cooling in 48 hours, we'll send the object to you at no extra costs everywhere in Italy. The day will end in the most beautiful square of Gubbio, in front of the “Palazzo dei Consoli”. We will get there by means of a neighboring elevator to the meeting place and we'll talk, sipping an aperitif, of medieval architecture, of the size and shape of the Palace resulting from the application of symbolic relationships related to esoteric numerology.

GUBBIO, Pg

IN THE SIGN OF "FEDERICO"

Maria Josè, restorer

Do you want to learn the techniques of the XVI century knowledge? We'll show you and tell you our manual skills in restoration, in faithful reproduction of vintage furniture, in cabinetmaking, in painting and gilding. We'll re-experience emotions, the study, the passion in doing the faithful reproduction of the “Studiolo del Duca di Montefeltro”, of which the original is located at the Metropolitan Museum of Art in New York. We'll have lunch together in a typical restaurant of Gubbio. Later we'll go together to see the replica of the “Studiolo del Duca di Montefeltro”. We created it and now it is possible to see it in its original location, at the Doge's Palace in Gubbio. In this important context, you'll have the chance to admire other fine artifacts that we restored.

GUBBIO, Pg

FIRST STEPS TOWARD MINIATURE

Anna, miniature and typography

In the wake of ancient amanuensis, the gestures of calligraphers and miniaturists are living again. In the XIII century they gave life to flourishing and eminent “Scriptorum” in Gubbio. It stands out the figure of Oderisi, narrated by Dante in The Divine Comedy, XI Canto of Purgatory: “non se tu Oderisi, l'onor d'Agobbio e l'onor di quell'arte ch'alluminar chiamata è in Parisi?”. A fascinating art, made of pigments and gold leaves, goose feathers and nibs, inks and a lot of patience and knowledge. The final result though, is unique, and what you bring back home with you is such a precious and original object.

GUBBIO, Pg

INSIDE - FOOD ART

Monica, pottery designer and maker

The technique envisages the creation of clay's plates where to stamp fruit's tracks, to shape texture and low relieves. The concept of the “montessoriana” mold, is to show to the children “how to do to do”. This is done simply giving tools and technical information. The goal is to let them create through examining, rather than just do. Food art is reproduction by means of real tracks. All the techniques will be adopted gradually. In this way children will have the chance to create and decorate their own objects. The plate will be cooked during the night, and could be taken and painted the afternoon after. We will use natural non-toxic colors.

CARPENEDOLO, Bs

YOUR FIRST JAPANESE PRINT

Mara, engraver

Become a carver and printer for a day and create your first Japanese woodblock print. An afternoon to be introduced to the wonders of this ancient printing technique that does not require the use of solvents or acids. After a brief introduction where you will have the chance to admire some original vintage woodblocks and some original Ukiyo-e prints; I will explain you the steps to create your first print. At this point you can work at your own design, or you can let yourself inspire by the many books in the studio. Carve and print your first simple printing with two wooden matrices and then print more copies of them on Japanese paper.

AVIGLIANA, To

RAKU POTTERY, FROM CREATION TO FIRING

Andrea, ceramist

The workshop is divided in two stages. The first envisages the creation of two objects (a dish and a vase) by using manual techniques and various molds. This experience will take place in the atelier of Verona, located within the shop. (it will last about 4 hours). The second stage instead, will be at the atelier of the Raku's furnace. It is in an open space close to Verona. It envisages the coloring and the firing of the objects. (it will last about 4 hours). Total hours expected for the workshop are 8. For the biscuit to be available, you have to wait at least two days. That is why we'll agree upon a the date of the second stage of the experience.

VERONA, Vr

RAKU BENEATH THE STARS

Giuliano e Claudio, ceramist

The experience is full day one, from 1 p.m. to 10.30 p.m.. At the beginning we'll spend about 4 hours at the “Laboratorio Artistico”, our atelier. There will be a brief introduction on Raku technique. Later each participant will glaze 2 or 3 pieces freely chosen among a wide range at the atelier (vases, dishes, sculptures). After the glazing we'll move in the hills, at about 20-minute drive from the atelier, where we'll fire the artworks. Raku technique in fact envisages a second firing, open-flames almost 1000°, at which will follow the extraction of the pieces, still incandescent. Moreover we'll do a number of operations, with water, air, smoke, that will confer to the pieces unique colors and shades. During the firing, that will last about 3 hours and that will happen during sunset/evening, we'll offer to the participants a happy hour/dinner. The end of the experience is expected to be at about 10.30 p.m.. You can then bring home with you your creations.

REGGIO NELL'EMILIA, Re

THE CERAMIST'S LAB

Elisa, ceramist

In my workshop you will learn how to shape the clay by using different techniques. From the coil building to slab, everything can be created. From sculptures to tea set, it is all possible. Most of all though, you will laugh and relax yourself! For this visit I will welcome you in my workshop for a demonstration of lathe machining and other ceramic processing techniques, including creation and manufacture of enamels. I will generally talk about the process that leads clay to become ceramic, from the mountains to our tables.

COMO, Co